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The Art of Jazz Singing
A Study Guide Designed to Increase the Enjoyment
and Understanding of Vocal Jazz
| Lisa Thorson
vocalist
educator
arranger
composer
Lisa Thorson is a jazz vocalist and educator. Over the course of
her 25 year career her quintet has performed throughout the U.S. in
concerts, jazz festivals and community events. She has received many
awards and accolades for her performances and recordings. Lisa is an
Associate Professor at Berklee College of Music specializing in jazz styles
and vocal technique. She is an experienced clinician and dedicated to
jazz education.
"Our mission is to entertain, educate and inspire by playing spirited
improvisational music that has heart, soul, originality and a sense of
adventure."
Lisa Thorson |
SINGING JAZZ
Jazz singing is about discovering the fun and freedom in the unknown and the
unexpected. Jazz singers are as different as their individual
personalities. They may be rooted in the blues of Bessie Smith, the
emotion of Billie Holiday, the swing of Frank Sinatra or the free for all
scatting of Ella Fitzgerald, Anita O'Day and Jon Hendricks. Jazz
vocalists today have also been influenced by pop, R&B, fusion and ethnic
music from many world cultures. It is hard to define specifically what
a jazz singer is, but it is someone who uses their voice like an artist's
palette. Vocal color, sighs, moans, lyrics, scat syllables,
instrumental sounds and agility are all things a listener might hear, but at
the center of the singing is a vocalist who has learned from the great blues
and jazz stylists of the past and created a style and sound that is all
their won. What unites jazz singers is their ability to convey emotion
and connect with an audience immediately and spontaneously. Creating
in the moment with fellow musicians, also called improvising, is essential
and is what creates the fun, freedom and suspense for the ensemble and the
audience. Jazz vocalists are always exploring new ways to use their
instruments to sing with heart, soul and individuality. |
Jazz Lingo: Vocabulary
and Definitions
- Bread: Money $$$$
- Gig: The engagement or event
- "What time is the hit?" means "When do we play?" A "hit" also
describes a rhythmic accent played by musicians.
- Form: the configuration of the measures of a song. i.e.: 12 Bar
Blues, AABA, ABAC
- Bar: a measure of music
- Scat: syllables and vocal sounds often used by vocalists to improvise
(doo-n-doo-dot-doo-dah)
- Taking a solo: An individual musician's opportunity to improvise
usually while other member's of the ensemble accompany the soloist.
- Comp: Accompany
- Trading: Exchanging improvised phrases between 2 or more
musicians; commonly trading 2's, 4's or 8's, (2, 4 or 8 measures).
- Open: just keep soloing or playing until you are finished
- Head: the melody of a song or the beginning of the song
- Improvise: To make up music or "solo" spontaneously at that moment.
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